The best folk duo in the country are in town this month as our Spring programme continues in style!
KATHRYN ROBERTS & SEAN LAKEMAN have long established themselves as one of the UK folk scene’s most rewardingly enduring partnerships. Twice recent winners of the BBC Radio 2 Folk Award for Best Duo – 2016 & 2013 – the couple’s intimacy and strength of passion on stage have won them many fans and an enviable reputation as “Songwriters par excellence” (fRoots), whose greatly varied original songs cover such subjects as wicked mermaids, Norwegian legends, and a lonely whale.
Building upward from their last two highly praised albums 'Tomorrow Will Follow Today' & 'Hidden People', fans of folk and acoustic music can only wonder where this leading couple will choose to turn next.
With a story that includes over 20 years of music making with the likes of Seth Lakeman, Cara Dillon, Levellers, Kate Rusby and Show of Hands, Kathryn Roberts and Sean Lakeman have consolidated themselves as pillars of modern British folk.
Vice-Chairman Alan Cole said: “I’m absolutely thrilled to have Kathryn and Sean at our folk club. They have been at the top of my list since we started and I was beginning to think that it would never happen! But we’ve got there in the end. They are such an amazing duo, and it will be a pleasure to see them perform in Downend.”
Opening the evening’s entertainment will be melodeon player OLLIE KING, whose new album 'Gambit' has just been released.
Tickets for the event, which takes place at CHRIST CHURCH DOWNEND on Friday 17 February 2017, are available from MELANIE'S KITCHEN or online HERE. We are anticipating a sell-out, so do book soon! There will be a full bar, stocking Severn Cider, soft drinks, wine, hot drinks, locally-brewed real ale from Hambrook-based brewery GREAT WESTERN BREWING CO. and, for the first time, chocolate goodies from NAUGHTY BROWNIE, the brainchild of Downend entrepreneur Laura Lovelock (who's dad just happens to be our fabulous sound engineer Richard!). You are encouraged to bring your own glass/mug/tankard/bucket as part of the our drive to be more ecologicaly aware.
There is a Facebook event where you can keep up with all the latest news about the evening HERE.
On an evening when many people’s minds were on events over the pond as the new President of the USA was inaugurated, a sell-out crowd in a tiny corner of South Gloucestershire allowed themselves an evening of something beautifully uplifting.
The tunes of MOORE, MOSS, RUTTER filled the charming little hall in Frenchay, transporting over 120 music fans to a relaxed and comfortable place.
“Comfortable” was the word of the evening. Tom Moore, Archie Churchill-Moss and Jack Rutter have been playing together since they were in their early-teens, which brought a BBC Radio 2 Young Folk Award in 2011. Their incredible talent has seen them, individually, work with the likes of Seth Lakeman, False Lights and Ange Hardy, but it was clear from early in their set that these are three musicians who are entirely at ease together on stage. They know each other inside out; you can tell that from the little glances, the knowing looks, the instinctive way they bounce off each other and the way they pass the tune to each other seamlessly. And they take you with them; sat in the audience, one can’t help but be drawn into their comfort. It almost makes you feel like part of their team.
Not that they’re not different; they’re clearly individuals. Moore (fiddle) is often lost in the tunes that he is playing. Eyes closed, shoulders hunched, Tom Moore is absolutely at one with the music. Rutter (guitar) brings the energy. His feet are planted far apart as he rocks from side to side and dips to the music, smiling and looking at his bandmates; and Churchill-Moss (melodeon) is a slight figure on the right of the stage. Feet close together, and upright, he almost splits the difference; eyes in the back of his head at times, but also engaging with the others and allowing himself the indulgence of the odd foot-stomp.
It’s mostly tunes; Moore, Moss, Rutter, clad comfortably in jeans, checked-shirts and sneakers (or, in the more substantial and undoubtedly northern Rutter’s case, substantial boots) steer us excellently through tales of dead pets (‘Dougal’… “it’s not that funny!”), Cheltenham hotels that gave them beer when they probably shouldn’t have (‘The Big Sleep’), and an ode to the room in Moore’s house where two (soon to be three) albums have been conceived and practiced (‘The Beeches’).
There are a couple of songs too, fronted by Jack Rutter’s engaging northern vocal. ‘Wait For The Waggon’, an American song found in a book of Yorkshire folk songs (it made its way back to the UK courtesy of the song-collecting of George Hall) has the packed-out room finding its collective voice; while the second-half’s offering, ‘The Dalesman’s Littany’, has us singing along with the refrain “From Hull, and Halifax, and Hell, Good Lord deliver me”. Moore, Moss Rutter decline to link this to events in the USA.
And, as if to counter the “folk” feel of the evening, Moore hits us with a couple of tunes from Purcell. It’s inspiring stuff. The man is a genius; you’d never know they weren’t folk classics.
The audience, of course, demand more. We're given a couple of choices and plump for, in Rutter’s words, something “a bit silly and grrrr”… Moore’s tune ‘The Scorpion’. It’s a great end to the evening.
If Moore, Moss, Rutter are all about the tunes, the opening act is a complete contrast. HARRI ENDERSBY is a singer-songwriter from Durham and, joined on stage by husband Rich Marsh, we see two guitars and one voice weave their way through some beautifully-written modern folk songs.
The first couple come from Harri’s 2014 EP ‘Ivy Crown’, while the second-half of her short spot features songs from her soon-to-be released debut album ‘Home/Lives’. Harri’s final song, ‘Noise’, is a highlight, but it’s a set filled with great songs, a stunning voice and sensitive musicianship. Harri Endersby is going places. Mark our words.
Trump? Whatever. Live music is alive, well, and comforting people in South Gloucestershire.
Roll on February.
Our 2017 programme kicks off with a visit from one of the hottest properties on the thriving UK folk scene, as we continue our commitment to showcasing the best emerging talent around.
MOORE MOSS RUTTER are a trio of musicians who are reworking traditional native English tunes and songs into something far more contemporary. They aim to breathe life back into ancient material through complex arrangement, virtuosic musicianship, powerful aesthetic and an ear for detail. Their tools - violin, melodeon, guitar and voice - may be simple enough, but they allow MMR to take the audience on a journey through utmost subtlety, rustic artisanal beauty, and tempestuous climax.
Their second record, simply dubbed 'II', shows proof of their six-year development both as a band and individual musicians. Tom, Archie and Jack have travelled the length and breadth of the UK (and further afield) performing together and honing their craft, but have been involved in a range of important musical projects as individuals, too. These have included EFDSS commissions, Royal Festival Hall performances, and European tours.
Tom Moore has been playing violin since the age of 4, and learnt using the Suzuki Method, an alternative educational philosophy which primarily focuses on teaching the instrument by ear. He is now studying Music at Goldsmiths, University of London. In addition to Moore Moss Rutter, Tom also performs with violinist/viola d’amore player John Dipper and duet concertina player Nick Hart in Oss; and has done deputy and session playing for a range of prominent artists including Nick Zinner (Yeah Yeah Yeahs), Alex Heffes for BBC films, Robert Mitchell, Bellowhead, Antonio Forcione. He is also part of new folk-rock band, False Lights featuring Jim Moray and Sam Carter.
Archie Churchill-Moss is one of England’s top melodeon players. Having been tutored by Andy Cutting, Rob Harbron, Saul Rose and many others, he is well positioned to carry the baton of virtuosic diatonic accordion tradition. Archie also performs with Breton/Folk/Rock outfit, Dragonsfly.
Jack Rutter is a respected guitarist and multi-instrumentalist working within the English tradition. Self taught, he is known for his for his highly rhythmic tune backing, flatpicking and fingerstyle playing. In addition to his contribution to Moore Moss Rutter, Jack plays in the Seth Lakeman Band, and he is in high demand as a session guitarist for numerous other artists and outfits in the British folk scene and further afield.
Opening the evening’s entertainment with be another of the folk scene’s best young talents.
HARRI ENDERSBY is a singer-songwriter from the North-East of the country. Her debut EP “Ivy Crown’ was released last year to critical acclaim, and her first full-length album is due for release in early-2017. Harri will be joined on-stage by husband Rich Endersby-Marsh… a former resident of nearby Stoke Gifford.
The concert will be held at our regular home of Frenchay Village Hall on Friday 20th January 2017. Tickets cost £14 each, but if you buy before Friday 13th January you can take advantage of our ‘Early Bird’ scheme and get them for just £12 each. Tickets are available from MELANIE'S KITCHEN in Downend or online HERE. Members tickets are £10 each (again before Friday 13th January) and are available direct from Chairman Ant Miles or from the Members Only area of the website.
Doors open at 7.30pm and the music will begin at around 8pm. There will be a full bar, serving locally-brewed GREAT WESTERN BREWING CO. real ales, cider, soft drinks and tea/coffee. You are encouraged to bring your own glass/mug/tankard/bucket as part of our drive to be environmentally-aware.